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The top track contains the regular show content, and the bottom track contains the interview. You have already prepared your podcast for the insertion of that interview and know where you have to splice it in because you left a big space at the 10 to 11 minute spot on the top track. 1. Using your mouse, highlight the entire interview, which is on the bottom track, and select Cut from the menu. Now place your mouse on the point in the first channel where you want your interview to be spliced in. A marker will appear on the channel, as indicated in Figure 9-13. 2. You can move that marker with the right and left arrows on your keyboard to get it in the exact spot. You can also click Play at this point, and Audacity will play the audio at the marker point. When you are happy with the placement, select Paste from the menu and the Audio clip will be spliced in. Figure 9-14 shows where the audio clip has been spliced and where you have inserted your interview into your recording. So, as you can see, the interview is in there very cleanly with lots of dead air in front of the clip and after it. You can then focus in on the area that you spliced and cut any excess dead air by highlighting the area and selecting File Cut from the menu to cut it out.

When you re done making changes to the table s structure, click Apply Changes (at the bottom in Figure 16-8) to make the Table Editor try to apply the changes you speci ed.

Symmetric distributions give lower sidelobes; H(q ) should be an even entire function of q ; A distribution with a pedestal produces a sidelobe envelope falling off as 1/q and is more efficient; A distribution going linearly to zero produces a far sidelobe envelope falling off as 1/q 2.

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While you re editing in RGB mode, you can soft proof your image display a rough approximation of what the image will look like when converted to CMYK and printed To display colors in the CMYK color space, choose View Proof Colors You also can press Ctrl+Y ( -Y on the Mac) This command is a toggle, so you also can use the menu or keyboard shortcut to turn this preview off Before you proof your colors, however, you should select the output you want to preview from the View Proof Setup submenu Photoshop creates the proof display based on your selection You can preview the image using the current CMYK working space, choose Custom to specify a particular output device, or preview the individual cyan, magenta, yellow, and black plates.

CrossReference See 18 for information on creating block descriptions when you create a block. The main reason for creating a block description is to display it in the DesignCenter and use it in a search on the Advanced tab, as just described.

Choose Break from the Modify toolbar. At the Select object: prompt, pick the line at 1. At the Specify second break point or [First point]: prompt, pick 2. This action shortens the line.

Position the tape at the beginning of the nth file from the start of the tape. Position the tape at the beginning of the nth file previous to the current position. Write n end of file markers at the current position. Position the tape at the end of media, that is, at the end of the last piece of data. If 0, disable data compression on the drive. If 1, enable it. Any other number lists the current compression status. This operation works on some non-DAT drives too. Position the tape at the beginning of the nth file after the current position. Rewind and eject the tape. Go back to the beginning of the tape. Display the drive s status.

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